The second piece (not including that last one) is almost done. It draws from a lot of West coast hardcore imagery, as well as some of Durer's apocalyptic work and pieces of Bosch's The Last Judgement. It is largely about torture under religious pretences and humanity's history, in terms of culture and evolution. And there's numerology!
Also, I'm going to start making smaller "companion pieces" for the larger works, which elaborate on my source material, and, while existing as art in their own right, helping to decipher the layers of meaning embedded/hidden in the much larger, more time consuming pieces.
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